• BIOGRAPHY

    • Snežana Svečak
      Smederevo, Serbia
      7.6. 1977
      Secondary School for Design Education (textile design)
      Basic studies Faculty of Applied Arts, Belgrade
      (graduated painter- restorer)
      Foreign languages  English
      1. external associate of the Institute for the Protection of Cultural Monuments of the Republic of Serbia, Belgrade (2005- 2009)
      2. associate of the prof. Gordana Žunjić Kusovac, conservation- restoration of easel painting (2003- 2015)
      3. member of ULUS- the Association of Serbian Fine Artists since 2007 (in the status of independent artist since 2008)

  • WORK BIOGRAPHY

  • CONSERVATION-RESTAURATION

    • She cooperated in conservation- restoration works within the status of external associate. (2005- 2008)
    • Works of preparing for duplicating icons on canvas from monastery of Manasija. The head of the works painter-conservator Sonja Poslušni. (November- December 2005)
    • The Charter of the Emperor Franz Joseph I about the awarding the noble title to Pavle Georgije Spirta, in 1856, The Historical archive of Belgrade Spirta`s house is situated in Zemun at 9 Glavna Street. It was built in the middle of the 19th century, after the design of Heinrich Freiherr von Ferstel (1828-1883).[1] It was designed in the Gothic Revival Architecture. It is one of the first high-floored family houses of the Old Centre of Zemun. It belonged to the influential and rich Zemun family Spirta. From Wikipedia, the free encyclopedia
    • Seal, seal processing and retouching the mural paintings. The head of the works painter- restorer Marijana Protić. (July- September 2006)
    • Conservation and restoration works on two continents F14, F25, F31 and F29 mural painting from the church of the Ascension in Pirot place Zavoj. The head of the works conservator- restorer Miroslav Stanojlović. (November-  December 2006)
    • The Studenica Monastery (Serbian Cyrillic: Манастир Студеница, Manastir Studenica, Serbian pronunciation: [mânastiːr studɛ̌nit͡sa]) is a 12th-century Serbian Orthodox monastery situated 39 kilometres (24 mi) southwest of Kraljevo, in central Serbia. It is one of the largest and richest Serb Orthodox monasteries. Stefan Nemanja, the founder of the medieval Serb state, founded the monastery in 1190. The monastery's fortified walls encompass two churches: the Church of the Virgin, and the Church of the King, both of which were built using white marble. The monastery is best known for its collection of 13th- and 14th century Byzantine-style fresco paintings. Studenica was declared Monument of Culture of Exceptional Importance in 1979, and it is protected by Republic of Serbia, and in 1986 UNESCO included Studenica monastery on the list of World Heritage Sites, with the description: The Studenica Monastery was established in the late 12th century by Stefan Nemanja, founder of the medieval Serb state, shortly after his abdication. It is the largest and richest of Serbia's Orthodox monasteries. Its two principal monuments, the Church of the Virgin and the Church of the King, both built of white marble, enshrine priceless collections of 13th- and 14th-century Byzantine painting. From Wikipedia, the free encyclopedia
    • Conservation and restoration work on the facade of the monastery Studenica. The head of the works architect Slobodan Barisic. (July- September 2007)
    • Conservation and restoration works in the narthex of Our Lady’s Church at monastery Studenica. The head of the works conservator- restorer Stojanka Samardžić. (October 2007)
    • Church of the Holy Apostles Peter and Paul, known as the Topčider Church (Serbian Cyrillic: Топчидерска црква) is the Serbian Orthodox Church, located in Savski venac, Belgrade, in Topčider park and built between 1832 and 1834. The church was endowment of Prince Miloš Obrenović, who was also its founder. In the immediate vicinity there is the residence of Prince Miloš.
      The church is under reconstruction, which is expected to be completed by 2015, two hundred years since the start of the Second Serbian Uprising.
      From Wikipedia, the free encyclopedia
    • Conservation- restoration works on 6 gilded capitals and on 6 feet from columns at the third zone of the iconostasis of the church of St. Peter and Paul in Topčider. The head of the works painter- restorer Milodarka Kocev. (April- May 2008)
    • Conservation and restoration works on the oil mural painting in Gračanička Street No.16. The head of the works painter- restorer Marijana Protić. (June- August 2008)
    • Gradac Monastery (Serbian: Manastir Gradac, pronounced [ɡrǎːdats]) an endowment of queen Helen was built from 1277 to 1282 during the reign of her son king Stefan Dragutin. It lies on the elevated plateau above the river Gradačka, at the edge of the forested slopes Golija. Gradac Monastery was declared Monument of Culture of Exceptional Importance in 1979, and it is protected by Serbia. From Wikipedia, the free encyclopedia
    • The research works on the frescoes in the narthex of the church of St. Annunciation at monastery Gradac. The head of the works painter- restorer Marijana Protić. (September 2008)
    • Conservation and restoration of the icons from the iconostasis of the Church of St. Nicholas at monastery Šatornja. The head of the works painter- restorer Nemanja Smičiklas. (October-December 2008./ January-March 2009)

  • PAINTINGS CONSERVATION- RESTAURATION (ICON)

  • PAINTING CONSERVATION- RESTAURATION (PAINT)

  • ARTISTIC BIOGRAPHY

  • SOLO EXHIBITIONS

  • GROUP EXHIBITIONS

        • 2000. Portret kroz vreme, NU “Braća Stamenković”, Beograd 2001. Mini art scena, Singidunum, Beograd 2002. Galerija Politehničke akademije, Beograd Portret kroz vreme, NU “Braća Stamenković”, Beograd
        2003. Mini art scena, Singidunum, Beograd Galerija kulturnog centra, Pančevo 2004. Zemunski salon, Stara kapetanija, Zemun Real Presence, Muzej 25.maj, Beograd IV bijenale likovnih i primenjenih umetnosti, Smederevo 2005. Zemunski salon, Stara Kapetanija, Zemun Novembarski salon, galerija Maržik, Kraljevo Izložba akvarela, Savremena galerija umetničke kolonije Ečka, Zrenjanin VI bijenale akvarela, Savremena galerija, Zrenjanin Prolećna izložba, Stara kapetanija, Zemun 2006. Zemunski salon, Stara kapetanija, Zemun Mini art scena, Singidunum, Beograd Izložba II međunarodne kolonije gradova partnera, galerija MSU, Banja Luka Majska izložba, Muzej 25. maj, Beograd Prolećna izložba, galerija Stara kapetanija, Zemun Čujno- vidljivo, Francuski kulturni centar, Beograd i Niš hercegnovski zimski salon, galerija Josip Bepo Benković, Herceg Novi VII bijenale akvarela, Savremena galerija, Zrenjanin Prolećna izložba, paviljon Cvijete Zuzorić, Beograd Prolećna izložba, galerija Stara kapetanija, Zemun Bijenale crteža i male plastike, paviljon Cvijete Zuzorić, Beograd 2008. Prolećna izložba, galerija Stara kapetanija, Zemun 2009. Prolećna izložba, galerija Stara kapetanija, Zemun Prolećna izložba, paviljon Cvijete Zuzorić, Beograd VIII bijenale akvarela, Savremena galerija, Zrenjanin U slavu akvarela, Meksiko 2010. U slavu akvarela, Argentina Pergament, Francuska Zemunski salon, Stara kapetanija, Zemun Mini art scena, Singidunum, Beograd 30 sa 30, Savremena galerija, Zrenjanin

  • COLONIES

  • AWARDS

  • PAINTINGS 10 / 10 cm

  • PAINTINGS 30 / 30 cm

  • PAINTINGS 40 / 50 cm

  • PAINTINGS 50 / 70 cm

  • OPUS HEART- SHAPED

      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 12,5 – 12,5 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2016.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 10 – 10 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 12,5 – 12,5 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 12,5 – 12,5 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
      • dimension of the work 11 – 11 cm
      • framed dimensions 20 – 20 – 2,5 cm
      • The picture is made in the combined technique of watercolors and embroidery on japan paper.
        The motif is taken from the ornaments of medieval Christian cultural heritage.
      • 2017.
    • The pictures are made in the combined technique of watercolors and embroidery on japan paper. The motif is taken from the ornaments of medieval Christian cultural heritage.